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The 647 Artworks of media Oil On Copper and containing the word jacques de stella, oil on copper, 1650

1/647
Nicolaes Berchem - Italian Landscape, Nicolaes Pietersz Berchem, 1650 - 1683Italian Landscape, Nicolaes Pietersz Berchem, 1650 - 1683Nicolaes Berchem

Italian landscape. Shepherds with cattle along the waterfront.

2/647
Herman Meynderts Doncker - Portrait of a Woman, Herman Meynderts Doncker, 1650Portrait of a Woman, Herman Meynderts Doncker, 1650Herman Meynderts Doncker

Portrait of an unknown woman. In the right hand a glove and a handkerchief. Pendant of SK-A-1689.

3/647
Herman Meynderts Doncker - Portrait of a Man, Herman Meynderts Doncker, 1650Portrait of a Man, Herman Meynderts Doncker, 1650Herman Meynderts Doncker

Portrait of an unknown man, a glove in the right hand. Pendant of SK-A-1690.

5/647
Gérard Douffet - The Doctor, Gerard Dou (copy after), 1650 - 1669The Doctor, Gerard Dou (copy after), 1650 - 1669Gérard Douffet

The doctor. Standing in a window a doctor looks at a bottle of urine. In front of him is a metal bowl, a decorative can and a medical book about human anatomy. Left behind the doctor is a woman with a bucket. The window is decorated with a relief with putti with a goat. Copy to the original of Dou i...

8/647
Aelbert Jacobsz Cuyp - Signboard of a Wineshop, with Tasting the Wine on one side and Barreling the Wine on the other, Aelbert Cuyp (circle of), c. 1650 - c. 1655Signboard of a Wineshop, with Tasting the Wine on one side and Barreling the Wine on the other, Aelbert Cuyp (circle of), c. 1650 - c. 1655Aelbert Jacobsz Cuyp

This thick, coarsely beaten copper plate was very probably intended as a wine merchant’s signboard.7 There are metal eyes on the top and on one side to which it could be attached to a support with hooks or rope. Both its faces are painted. One shows a soldier and a civilian with their dog on a quay ...

9/647
Bartholomeus Breenbergh - The Adoration of the Magi, Bartholomeus Breenbergh (circle of), c. 1640 - c. 1650The Adoration of the Magi, Bartholomeus Breenbergh (circle of), c. 1640 - c. 1650Bartholomeus Breenbergh

In his review of the auction of the estate of F. Kaijser in 1888, Bredius suggested a date for this picture in the middle of Breenbergh’s career. He also noted that it showed the strong influence of Cornelis van Poelenburch, and that it was painted very smoothly.6 Doubts about the attribution were f...

13/647
Carlo Saraceni - ParadiseParadiseCarlo Saraceni

Saraceni probably painted this oil on copper soon after his arrival in Rome from Venice around 1598 and in response specifically to Francesco Bassano’s altarpiece representing this subject in the Roman Church of the Gesù. The influence of Venetian artists remains strong in terms of composition, but ...

The Metropolitan Museum of Art (New York, United States Of America)
22/647
Juan Francisco De Aguilera - The Virgin of Carmen and the Souls of Purgatory with St. Joseph and the Prophet ElijahThe Virgin of Carmen and the Souls of Purgatory with St. Joseph and the Prophet ElijahJuan Francisco De Aguilera

Juan Francisco de Aguilera is considered one of the most influential painters of the second decade of the eighteenth century in New Spain. His ability to capture fleeting effects of light and atmosphere heralded a major stylistic change that would mark the next generation of painters. This small pai...

The Metropolitan Museum of Art (New York, United States Of America)
 
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